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Prague, Czechoslovakia: Outdoor Movies a Big Hit for International Audiences

Ethan Hawke and Philip Seymour Hoffman star in Before the Devil Knows Youre Dead, showing outdoors Sept. 29.

Ethan Hawke and Philip Seymour Hoffman star in Before the Devil Knows You're Dead, showing outdoors Sept. 29.

If you build it, they will come. Especially if it’s free.

Local moviegoers disappointed by the city’s inexplicable elimination of the outdoor cinema on Střelecký Island have been filling Biograf Letní poloha past capacity all summer, but, unless you’ve been on the lookout, you might have missed it. Manager Petr Pošvic, who ran the cinema program on Střelecký, said Biograf Letní poloha, nestled on the Malá Strana riverbank between Charles Bridge and Mánes Bridge, began partially as a generous response to the sudden cinema void.

“The project of a cinema connected to a summer bar was born from the necessity of having an open-air cinema in the center of ,” he said. “Because of the capacity and available space at 4 Cihelná street, we decided to play the movies from DVD and chose the free entrance model to get people to the cinema as soon as possible.”

The cinema was packed on a recent evening, with almost as many people under the tent watching Waltz with Bashir as there were milling around the café cart, carousing amid a bevy of alcoholic beverages and soft drinks. Pošvic said the scene was typical of this summer’s turnout and indicative of the need for such an attraction in Prague 1.

Biograf Letní poloha
Cihelná 4, Prague 1
All films start at 8:15
Admission is free
www.letnipoloha.cz
Upcoming films
Sept. 19:
Blow-Up
Sept. 21: Beastie Boys: Awesome; I Fuckin’ Shot That
Sept. 26: Ben-Hur
Sept. 28: Casablanca
Sept. 29: Before the Devil Knows You’re Dead
Czech films with English subtitles
Sept. 18: Tajemství hradu v Karpatech (A Mystery Castle in the Carpathians)
Sept. 20: Nebeští jezdci (Sky Riders)
Sept. 30: Balada pro banditu (Ballad for the Bandit)

“The response has been very positive from locals and also from a young, sophisticated audience,” he said. “We are over our capacity nearly every evening the weather is on our side.”

The Czech model of mixing alcohol and film is a special treat for foreigners, who may not be used to imbibing in view of the big screen. Luckily, the cinema has and will continue to offer a number of films in English, as well as several Czech films with English subtitles. Pošvic explained he had planned to focus on an international audience from the beginning, a strategy that has proved successful despite the limits of technology.

“We focus on timeless movies of Czech heritage and world cinematography,” he said. “But the fact that we play from DVD is rather limiting, because it’s not possible to get new movies.”

Biograf Letní poloha will continue screening films at least until Oct. 10, and possibly longer. Pošvic advised interested moviegoers to keep an eye out for a finale party, and to expect the cinema to return again next year.

Source: http://www.praguepost.com/tempo/2279-sequel-to-strelecky-is-a-hit-and-its-free.html

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Prague, Czech Republic: Annual Summer Cinema Makes a Move Across Town

Annual summer cinema makes a move across town

Outdoor Movies in Prague, Czech Republic’s summer outdoor cinema series, formerly known as the Střelák Festival, is moving to Riegrovy sady this year as construction on Střelecký ostrov – its former home – alters both the terrain of the city and its cultural landscape.

“We don’t know if it will be possible for us to return to the island,” says organizer Petr Pošvic, who is seeking a fresh start and has aptly renamed the festival “Riegrák.”

“[Riegrovy sady] fulfilled our criteria: to be outside, to be central yet away from residents who might feel disturbed by the noise,” he said.
This year’s series kicks off June 14 with a concert by the orchestra Mandelbrotovy Kostičky featuring a 200-piece student choir, mixing classic arrangements with modern pop-music elements.
The early days of the program are heavy on contemporary Czech films, most not available in subtitled English versions. The only Czech film that will be accompanied by English subtitles is Proměny, which will play June 16.

“Most subtitled 35mm film copies get sent straight to festivals, and it is hard for small cinemas and festivals to get their hands on them,” Pošvic said.

The series offers its trademark mix of Czech and international films, and recent American releases and second-runs. There are concerts most Thursdays, and documentaries will screen Wednesdays. With the exception of Garbage Warrior July 22, the documentaries are all Czech-language versions. The end of June provides an opportunity to catch some American blockbusters, such as the new Star Trek film (June 25), and the Oscar-nominated The Curious Case of Benjamin Button (June 27). Catch Philip Seymour Hoffman and Meryl Streep in Doubt (June 29), and for a release just outside the Hollywood mainstream, see The Visitor (June 30).

July and August offer plenty for English-language cinephiles, as well as European films with Czech subtitles.

For animated film fans, the American Coraline is a must-see. In a beautifully pictured account, we learn of a young girl’s discovery of an alternate world behind a secret door in her home (June 23). Watchmen runs the following night, and, for lovers of political drama, Frost/Nixon shows June 28. Recent acclaimed films like Milk (Aug. 11), Synedoche, New York (Aug. 12), Oscar-winner Slumdog Millionaire (Aug. 22), Harry Potter and the Half-Blood Prince (Aug. 28) and The Reader (Aug. 30) are all on the agenda.

At the heart of the repertoire are films from Project 100, an initiative of the Club of Czech Art Cinemas, which compiles between eight and 10 films each year notable for historic or cinematographic contributions. This year’s picks include the German silent classic Nosferatu from 1922, a film adaptation of George Orwell’s Animal Farm, and the more recent, brutally explicit Requiem for a Dream, based on Hubert Selby Jr.’s novel of the same name. Movies from this collection show Monday nights.

For viewers well versed in Czech, the Wednesday night documentary series is worth checking out. Films shown in the series include Vítejte v KLDR (Welcome to North Korea!), Jak se vaří dějiny (Cooking History) and the moving documentary René, which follows a young man who spent much of his life in prison. The Thursday concert series is still in the works, and not all details were available at press time, but the reggae and dub-influenced four piece Nana Zorin along with Rakija’n'Roll outfit Gothard are confirmed to play July 2. Other confirmed bands include Vimal Darpan’s Temple of Glowing Sound (July 30), a blend of ethnic and electronic sounds and shamanic grooves. Most concert nights are supplemented by Czech comedic films, again, without subtitles.

A Sunday night showing of Psycho (July 5) is one to mark on the calendar, as well as the Coen brothers’ Burn After Reading (July 10). Woody Allen’s latest film, Vicky Cristina Barcelona, shows July 17.

Riegrák will also give 2009 FAMU graduates a chance to showcase their final projects June 19. Entry is free and offers a rare opportunity to see the country’s newest original work. Though without subtitles, entries promise to be of a highly visual nature.

Last year’s crime-infused comedy, In Bruges, is worth a view Aug. 18 and should prove itself the kind of film enhanced by an outdoor screen, and a couple of beers.

“As we have done in years before, we will provide cold drinks that can be bought at our refreshment stand,” says Pošvic, allaying any fears of dehydration.

By Sarah Borufka
Source: http://www.praguepost.com/tempo/1500-annual-summer-cinema-makes-a-move-across-town.html

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Prague, Czech Republic: Outdoor Movie Screenings Feature Indie Films -A Review of "The Fountain" (2006)

Outdoor Movie Review of Each summer in the , ’s parks and public squares come alive with outdoor movies. Summer in means one thing – letni kino, or open air cinema. The outdoor movie season starts in early June, and goes right on until mid-September. In this period, residents and tourists alike are treated to the gamut of films, from Apocalypto right through to Zodiac. ’s indie and arthouse film following is quite strong, and these audiences were particularly enamored by one film: Darren Aronofsky’s “The Fountain”. Though misunderstood by most critics, and mostly rejected by American audiences, indie-enthusiasts argue for the film’s artistic merit. The following is a review of “The Fountain” by Rob Gonsalves of eFilmCritic.com. You can read the original blog post about ’s outdoor movies here.

The Fountain, a visually enthralling and emotionally overpowering fantasia by writer-director Darren Aronofsky (Pi, Requiem for a Dream), seems to have baffled many impatient critics and left many audiences cold. At this point, a lone reviewer’s quest to save the movie is almost as challenging as Tom’s quest to rescue Izzi. But I will try, and I will state it plainly: If you have ever taken my advice to see a movie and found yourself grateful you’d seen it, please go see The Fountain.

Aronofsky has fashioned a spiritual triptych out of the story’s main conflict, a doctor’s drive to discover a remedy for his dying wife. Izzi is writing a book, called The Fountain, about a conquistador (Jackman) whose queen (Weisz) sends him to find the Tree of Life, whose sap gives eternal life. There is also the tale of a futuristic man (Jackman) speeding across the cosmos in a bubble that also contains the Tree. Yet underneath all the symbolic trappings is a very simple parable about how love can transcend death because it gives life meaning. That’s what Tom, throwing himself into research and missing his chance to spend time with Izzi in her final days, must learn.

Outdoor Movie Review of I admired Aronofsky’s 1998 debut Pi, but his 2000 Requiem for a Dream seemed trendy and shallow, not honestly felt. The Fountain is Aronofsky’s triumph, an intoxicating blend of luscious cinematography (by Matthew Libatique) and brooding score (by Clint Mansell). Every frame hums with passion; like 2001 and Solaris (both versions), this is an art film in sci-fi dress, speaking eternal truths in the language of light shows. The actors shoulder the three-story burden effortlessly. By now we know Rachel Weisz can be winsome and enchanting, but here she brings a brittle kind of bliss to a woman who has come to terms with her own passing. The real revelation is Hugh Jackman, who jumps without fear into the sort of role that could’ve turned him into a laughingstock — he brings emotional urgency and transparency to the saga.

The Fountain is a fragile egg, easily cracked in cynical times. It’s sure to be misread as a soft-headed, muddled New Age treatise, but what it actually has to say is a good deal more tough-minded: that you had better love honestly and well in this life, because you don’t get a do-over. Death can be transcended but not conquered or denied. In all three incarnations, Tom is in perpetual motion, running away from his loved one towards something he believes will guarantee eternal life with her. Even his future-self — having lived centuries thanks to his medical breakthrough — turns away from the spirit of Izzi to hurtle through space towards Xibalba, the dying nebula wherein, he believes, he will be reunited with Izzi. But really the future Tom exists only in Tom’s mind — a cautionary tale of a literal bubble boy, sealed off from life and fixated on an impossible dream — just as the conquistador Tomas lives only in Izzi’s imagination. As in The Fisher King, the characters construct fantasy to process painful reality. The results may strike some as pretentious and others, like me, as adventurous and desperately moving.

Outdoor Movie Screening of The Fountain in Prague, Czech Republic

Outdoor Movie Screening of "The Fountain" in Prague, Czech Republic

Approach The Fountain as a love story informed by a grab bag of philosophies — Christian, Buddhist, Pagan, Mayan, take your pick — with sumptuous images to match, and you’ll have the key to its eternal life. It’s really nothing more complicated than the story of a couple, one of whom embraces life and so embraces death as a part of life, the other of whom tries to control life and death and is ill-equipped to deal with either. It’s a simple story told with Zen directness, its fingers deep in the age-old questions, its eyes and ears wide open to the sensual potential of cinema.

For my money, The Fountain is the best that American film has to offer this year. If more movies equally daring and powerful are to be made, this one needs your support.

Source: Rob Gonsalves -eFilmCritic.com. Read full review at: http://efilmcritic.com/review.php?movie=15011&reviewer=416.

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